by It’s like a marriage in one of the circles of hell when heavy metal and horror come together. In this case it’s The Black Dahlia Murder and Evil Dead with the track “Raped in Hatred by Vines of Thorn.”
Affected by the original Evil Dead (1981) at a young age, vocalist Trevor Strnad was destined to write a song about it. Of course, the circumstance of the pivotal moment in his life seems to have been designed for this:
“I remember the first time I saw Evil Dead… it was at my friend’s birthday party in 7th grade. It was recommended by the same older sister that had gotten us all into punk and heavy metal music… so we knew we were in for the real deal. The movie scared the unholy 13-year-old shit out of us… we were terrified. I remember the possessions really affecting me… the way the people would contort and writhe was disturbing. The possessed had that awful way that they sounded when they spoke and howled… pretty insane as well. The vine rape scene was intense… I love the idea of the forest coming alive… so much so that I wrote a song about it many years later.”
Am I right? Friend’s hot older sister, heavy metal, and horror – perfect ’80s experience.
Check out the track (above) and follow along with the lyrics:
“Raped in Hatred by Vines of Thorn” – Lyrics:
“Dense dark forest dismal fog a spectral force perverts these woods flight prevails frantic escape the unearthly horrors at each turn they wait wandering roots they creak and move slithering toward what mortal life intrudes terrified eyes opened wide ensnare her flailing limbs to the earth they are tightly tied raped in hatred by vines of thorn by the evil dead to ribbons ripped and torn raped in hatred by vines of thorn pierced from within her child is skewered unborn raped in hatred by vines of thorn twisted in halves in this gruesome tug-of-war raped in hatred by vines of thorn flora possessed suckling the gore untamed kudzu green cocoon inside her flesh their food death prevails gnarled roots entwine syphon the marrows from her splintered spine animate trees shuffle their roots gathering around this late night rendezvous murderous orgy in full bloom her screams they cut the fog this night on sheer terror the seedlings thrive raped in hatred by vines of thorn behold the wrath of the necromicon raped in hatred by vines of thorn lancing her womb the child inside is gorged raped in hatred by vines of thorn broken in two entwined within the growth raped in hatred by vines of thorn necrotized demonic spores you brought this all unto yourselves should not have tampered with this hell opening the book your last mistake these haunted woods shall be thine grave raped in hatred by vines of thorn by the evil dead to ribbons ripped and torn raped in hatred by vines of thorn pierced from within her child is skewered unborn raped in hatred by vines of thorn twisted in halves in this gruesome tug-of-war raped in hatred by vines of thorn flora possessed suckling the gore”
The Black Dahlia Murder’s sixth full-length album, Everblack, will be released on June 11th in North America and on June 7th/10th in Europe. The cover art for Everblack was painted by renowned artist Nick Keller with Weta, whose recent projects include: The Hobbit, Avatar, Chronicles of Narnia, and more. Recording was completed at Audiohammer Studios (lead guitars and vocals), Rustbelt Studios (drums), and Regal Fecal (guitar and bass). Mixing was handled by Jason Suecof and Ryan Williams, mastering was completed by Alan Douches at West Westside. Trevor Strnad’s horror-inspired lyrics persist on Everblack, beginning with “In Hell is Where She Waits for Me,” a reference to the murder from which the band took for their moniker.
Find out when and where The Black Dahlia Murder will be playing on tour.
Rock Hard \m/
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