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The Thing (2011) Review: Ain’t No Thang – OR IS IT?

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For example, if you’ve seen the 1982 version, then you’ll surely remember the characters. If not their names, then at least their distinguishing character traits.

“That guy is the black dancing cook who rides around on roller skates.”

“That guy over there is the easy going, but somewhat unpredictably stupid stoner.”

“That’s that awesomely bad-ass scientist who recognized this potential pandemic at its inception and decided to go postal.”

“And that guy likes dogs. He’s the dog-guy.”

Will you remember any of the characters this time around? Not very likely, with the exception of the one woman on the team who wasn’t Mary Elizabeth Winstead. You’ll remember her because she’s the one woman on the team who isn’t Mary Elizabeth Winstead. Since having your cast of characters develop irrational neurosis is only captivating if you’re interested in seeing how they’ll react to each other, something intuitive is definitely missing.

For instance, when “bearded Scandinavian #9” dies, you don’t feel any sense of loss, you’re just grossed out by all the splatter.

“He had two small children.” One character says.

So what? I don’t even know him.

The Thing (2011) Review
“It’s the Thing! It got Edvard!” “Was he the one that doesn’t speak English?”

When the eyes start shifting around and good faith is stomped out, you don’t start to anticipate any sharp character turns, because you probably don’t remember anybody’s names. The paranoia is still there, but it’s superficial at best. It’s just not as thick and unnerving as it once was.

The problem is that the true horror of the original largely came from that background sense of slowly growing insanity. Not only was the Thing dangerous and could be hiding around the corner, but it could also be your best friend. Mulling this over, you might interrogate your best friend and accuse him, but then lo and behold — he blasts you with a couple counter allegations and gets up in your face. People surround you and accuse you, and you think they could turn on you at any second.

And then that Black Guy with Roller Skates glides into the room, transforms and rips off your face.

So no rising paranoia means no perpetually creeping fear. Instead, we’re left with a myriad of jump scares — which work, mind you — but they’re about as apathetic as these tricks of the trade can get. You jump a couple times initially, and afterward assume that the jumps are always around the corner — like having someone tell you they’re going to punch you in the face, then stare at you for an hour and a half.

This is why I got fired from that Sizzler is Fresno.

Expectations aside though, I’ll say that all in all, the movie was at least entertaining. Because of its lack of true substance, the thrill of a film like this lays in two things: The uncomfortable splatter, and the Thing itself.

You just have to admit, the Thing makes for a pretty interesting creature. Just like the first time around, it doesn’t really have any true form and looks alien in every sense of the word, but there are also portions where it takes on a partially human appearance in regard to its previous host. It’s in scenes like this that the film is at its best, and the movements of the tentacles, as well its ear-piercing screech are all reminiscent of the good times had in 1982.

However, if it’s fantastically disturbing practical effects you’re after, well sorry but the creature is mostly rendered in CG. This, of course, means that the shots aren’t composed as well, lighting-wise, because you can literally superimpose the Thing wherever you’d like. Conversely, this does make for some interesting images of it bonding with someone else, or stalking someone in the kitchen, a la Jurassic Park. Your mileage may vary as to whether or not it looks credible, but things did seem to begin unraveling toward the end, when the effects slowly became severely exhausted.

The Verdict: ★★½☆☆

As you can tell, technically speaking, it’s mediocre at best, but the true harshness directed at this movie stems from associations drawn to the original. That being said, if you’ve seen the original, it’s not like you can pretend that it doesn’t exist, because you’re reminded of it every five minutes through clear impersonation.

At the same time, I still have to recommend the original, especially since it’s the perfect THING to watch with a few friends around Halloween. Even today, it still hasn’t become too dated, and the review can be found here. It’s even on Netflix, so no time to waste.

But if you haven’t seen John Carpenter’s remake and have absolutely no intention to, well neither did a friend of mine, and he enthused that he had himself a gay old time at the movies, that night. It can be a fun ride while it lasts, and the audience did applaud at the end and seemed thoroughly satisfied, so you never know — you might be surprised.

If the polarization of this movie is leaving you scared and lonely, then fear not, faithful reader. I’ve devised a new system of subjective rating, which I call: The Yell! Magazine DIY Rating System. Here’s how it works: If you’re a hardcore fan of the original, then go ahead and subtract a half-star from the given 2.5 – that should give you an decent understanding of how you might perceive this film. If, however, you sit comfortably in Hollywood’s target demographic, then feel free to slap another half-star on this baby and enjoy a fine night out at the movies.

I mean, it’s not like you’re gonna see Footloose.

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  • TheMatt

    The ashes of problem employees jar strikes again! There’s no stopping it!!! 

  • TheSimpleDude

    Loved the ending in this :-) It made a perfect connection with John Carpenter’s The Thing. I was wondering why they didn’t use the score more often, and it made perfect sense at the end. These are the THINGS  that bothered in the new film: 

    1. Sound effects of the THING was much more creepy and hair raising in the original.  It was just so BAH! Nothing special at all, and nothing memorable. 

    2. Didn’t like the fact the THING moved so damn quickly, plus it was shown most of the time in half transformation state which I taught was less chilling to see. I preferred it the other way around where the transformation looked near complete and you see less of the THING. Or with more human looking body parts. Just a personal taste here.

    3. Characters where just so fucking boring, even Mary Elizabeth Winstead couldn’t hold up to the Kurt Russell like character. She was only OK!

    4. CGI – Couldn’t they do a better lighting job? At some points it looked so unbelievable that it killed the believability. People laughed during some of the transformations scenes… not good, not good at all!!!

    Overall, like some people say, just a decent entertainment flick. Nothing comparable, and memorable as the original. Sorry!

  • https://www.facebook.com/people/Olaf-Brunson/100000735997293 Olaf Brunson

    There were 2 cgi scenes that I didn’t like (face shifting inside the helicopter, and the stabbing tentacle)
    The spaceship scene was a failure, in my opinion.

    and the end before the credit ending made no sense. Wouldn’t MacReady and the Doc (in the ’82 film) have noticed the fucking burning tractor vehicle or the, if she stayed, the dead frozen girl in another tractor?

    From what I understood in the original, the Norwegians blew up the ship when they were excavating it. THAT made sense, because otherwise, why didn’t the thing just get back in it’s ship in the first place saying “Well, I landed somewhere cold where nothing lives. Gonna try that again.”

    The movie relied too much on jump scares and killing everyone off quickly as possible.

    The only character I liked was Lars. Lars was a bad ass.

    What I DID like about the movie was watching the thing absorb people and transform. The cgi in transforming into the split-face thing wasn’t bad at all.  The Thing monsters (in exception to the spaceship scene monster, the stabbing tentacle, and the helicopter crash scene) appearance and sounds were actually frightening on their own.

    This movie is not even close to being as good as the ’82 version, but I’d still watch it again.

    Movie makers: No more than one/two jump scenes please. The thing breaking from the ice after the “BOO!” was fine, but all others after that just made me think “ugh, here comes another jump scene”

  • car

    Was is it just me or did they have a border collie in the first part of the movie when it was sitting on top of the ice on the back of the truck with the man next to him and a husky at the end when he came back as the alien dog at the end or was it even a husky in the beginning at all???

    • https://www.yellmagazine.com Yell! Magazine

      Interesting, I didn’t notice that, but I’ll ask around to see if anyone else picked up on that.

  • barelycaredenoughtopost

    sigh. its not a remake, I stopped reading the review after that.

    • https://www.yellmagazine.com Yell! Magazine

      I guess you missed our point :-(

  • Hugo

    Carpenter’s film was an adaptation of the short story “Who Goes There?”, and not so much a remake of the 1950s film The Thing From Another World. The 2011 version has neglected to include a journey or character arc, so it’s just a bodycount movie.

    Carpenter’s film has characters who go from living together in isolation, to isolating themselves from eachother, in an attempt to live. The 2011 version has an outsider brought in Jurassic Park/AvP style, so she’s already a stranger from the beginning. No journey of acceptance, no character arc, no relationship development. Just crap.

    I prefer the 1982 version because the shots were smarter. We saw less of the creature, so we were more scared of what was unknown. The story was about real characters and the creature was merely the circumstance that these guys had to deal with. The 2011 version was just about using the creature idea for showcasing CGI effects. Such talent would have served better as a music video for a goth band or similar.

    Hollywood wastes money on crumby remakes. If a Norwegian film crew was consigned to make their own angle of the story with subtitles, the result would have had more heart and longevity, at a fraction of the cost. Remember how much better the Swedes made Let The Right One In?

  • https://profiles.google.com/unclekulikov Byron Swain

    It was acceptable. Not great, but acceptable.

    It moved really quickly, so tension wasn’t built.
    The character interactions weren’t impressive, a combination of writing and the film moving too quickly to get attached too. (remember the guy who received the UFO signal? Of course you don’t.)Too much was shown, or the camera was used in too heavy handed a manner. It became clear who was infected at what point fairly early, and missed out on lots of the ambiguity from the 82 one. 

    Did anyone else notice that there was almost no blood in the entire film? The 82 one had people exploding everywhere, gore dripping from crevices and the like. A character here explodes, but there isn’t any blood. It made it difficult to believe.

    However, The She-Thing was an amazing monster (though not used to potential). The scientific processes used to figure out the Thing were interesting (and different!)It could have been almost infinitely worse.

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