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David Cronenberg, one of horror cinema’s greatest minds, is being honored by the Toronto International Film Festival (TIFF) Inc. with an exhibition solely devoted to him. The event runs from November 1, 2013, through January 19, 2014, and features a number of film showings with esteemed presenters, including Cronenberg himself, and a number of film props, including a pod from The Fly (alongside its Ducati motorcycle engine inspiration) and some gynecological instruments from Dead Ringers.
See below for further details about the life-spanning exhibition, and visit the official site for tickets and times and, of course, even more details.
About the David Cronenberg: Evolution Exhibition:
Launching November 1 in the HSBC Gallery at TIFF Bell Lightbox, TIFF’s first major original exhibition, David Cronenberg: Evolution, parallels David Cronenberg’s evolution as a filmmaker with his longstanding fascination with the possibilities and perils of human evolution itself. Curated by TIFF Director & CEO Piers Handling and Artistic Director Noah Cowan, and divided into three major sections that provide a loosely chronological overview of Cronenberg’s career, the exhibition traces the development of the director’s evolutionary themes across his filmography through more than sixty original artifacts, visionary designs, and rare and unseen footage.
Who Is my Creator?
The first section of the exhibition examines Cronenberg’s early films – from the early short, Stereo to his major breakthrough, Videodrome – and emphasizes his protagonists’ searches for father figures as they are confronted by new, often terrifying evolutionary possibilities. The section also examines how this patriarchal search for mastery is accompanied by a corresponding loss of control over subjects’ bodies and sexual impulses, and the sociopolitical resonance of Cronenberg’s exploration of issues like virology and reproductive rights.
Who Am I?
Covering Cronenberg’s “middle period,” from, Videodrome to eXistenZ, this section examines how Cronenberg’s characters extend their renegade evolutionary experiments to their own bodies and selves, whether via science and technology, drugs, art, or sex.
A special space devoted to Naked Lunch traces Cronenberg’s affinities for other important twentiethcentury and thinkers — among them, naturally, William S. Burroughs.
Who Are We?
Beginning with Spider and coming up to the present with Cosmopolis, this third section sees Cronenberg’s protagonists move beyond their private odysseys and into the social world.
At the exhibition exit, a screening room projects Cronenberg’s chilling, metacritical autobiographical shorts, reflecting the artist’s anxieties about evolution, mortality, and his own artistic identity.
Rock Hard \m/
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